At the turn of the 20th century, a revolutionary artistic movement swept across Europe, transforming everything from grand architectural facades to delicate jewelry designs.
Art Nouveau examples can be found in nearly every creative discipline, characterized by their sinuous lines, whiplash curves, and organic forms inspired by the natural world.
Emerging between 1890 and 1910 during the Belle Époque, this “Modern Style” rejected academic traditions in favor of flowing lines and asymmetrical patterns.
The movement’s versatility is evident in Hector Guimard’s iconic Parisian Metro entrances, Antoni Gaudí’s undulating architecture, and Alphonse Mucha’s theatrical posters with their elongated feminine silhouettes.
This guide explores 20 remarkable Art Nouveau examples across architecture, decorative arts, and graphic design, examining how they integrate ornamental ironwork, botanical elements, and stylized flowers while showing the movement’s European design influence and its revolutionary impact on domestic design and commercial illustration.
Art Nouveau Examples
Casa Batlló (1904-1906)
Artist: Antoni Gaudí
Art Movement: Art Nouveau/Modernisme
Medium: Architecture, ceramic tiles, glass, wrought iron
Dimensions: Six-story building (32m height)
Visual Elements & Techniques
The building features undulating facades resembling waves with vibrant ceramic tiles creating a mosaic effect.
Curvilinear forms dominate both exterior and interior, with organic shapes, curved windows, and flowing space and balance between elements creating a naturalistic feel.
Symbolism & Interpretation
The design represents sea imagery with wave-like walls, scale-textured surfaces, and bone-like columns.
The roof resembles a dragon’s back, symbolizing Saint George (patron saint of Catalonia) and his legendary dragon.
Historical Context
Created during Barcelona’s cultural renaissance when Catalan identity was being expressed through art nouveau.
The building exemplifies the region’s desire for distinctive cultural expression through architectural innovation.
Art Movement Characteristics in the Work
The building showcases Art Nouveau’s obsession with natural forms, integrated color theory, and rejection of straight lines.
Its organic approach to structure and ornamentation demonstrates the movement’s belief in total artistic environments.
Paris Metro Entrances (1900)
Artist: Hector Guimard
Art Movement: Art Nouveau
Medium: Cast iron, glass
Dimensions: Various (typically 4-5m height)
Visual Elements & Techniques
The entrances feature plant-like cast iron structures that curve and twist upward, crowned with distinctive amber glass lanterns.
The asymmetrical balance creates dynamic tension while maintaining structural stability.
Symbolism & Interpretation
The designs suggest organic growth from the underground to the street, symbolizing the emergence of modern urban life and technological progress.
They represent nature reclaiming the industrial city.
Historical Context
Created for the 1900 Paris Exposition Universelle, these entrances made the new technology of subway transportation more approachable through artistic treatment during France’s Belle Époque period.
Art Movement Characteristics in the Work
The entrances epitomize Art Nouveau’s integration of art with everyday structures, showing the movement’s democratic impulse to beautify public spaces with organic forms and flowing lines.
“The Kiss” (1907-1908)
Artist: Gustav Klimt
Art Movement: Vienna Secession/Art Nouveau
Medium: Oil and gold leaf on canvas
Dimensions: 180 × 180 cm
Visual Elements & Techniques
The painting combines flat decorative patterns with perspective in the figures.
Gold leaf creates luminosity, while intricate geometric and spiral patterns contrast with the naturalistic faces and hands.
Symbolism & Interpretation
The work celebrates sensuality and human connection through the eternal moment of the kiss.
The gold represents divinity, suggesting the sacred nature of love while the patterns symbolize unity and the merging of masculine and feminine.
Historical Context
Created during Vienna’s intellectual golden age alongside Freud’s psychological theories and shifting attitudes toward sexuality.
The work reflects the era’s fascination with emotional and psychological themes.
Art Movement Characteristics in the Work
The painting exemplifies Art Nouveau’s interest in decorative surfaces, symbolic imagery, and the integration of different artistic influences including Byzantine mosaics and Japanese prints.
Tiffany Lamps (1890-1920s)
Artist: Louis Comfort Tiffany
Art Movement: Art Nouveau
Medium: Stained glass, bronze
Dimensions: Various (typically 40-70 cm height)
Visual Elements & Techniques
These lamps feature hundreds of hand-cut colored glass pieces arranged in mosaic patterns.
The color harmony creates luminous effects through translucent glass, with bronze bases often incorporating organic forms.
Symbolism & Interpretation
Many designs showcase nature motifs—dragonflies, peacock feathers, flowers—symbolizing beauty and transformation.
They represent the marriage of natural beauty with modern technology (electric light).
Historical Context
Developed during America’s Gilded Age as electricity became available in wealthy homes.
The lamps embody the period’s desire to humanize and beautify new technologies through craftsmanship.
Art Movement Characteristics in the Work
The lamps demonstrate Art Nouveau’s principles of craftsmanship, naturalistic inspiration, and harmony between function and form, bringing art into the domestic sphere.
Hotel Tassel (1893-1894)
Artist: Victor Horta
Art Movement: Art Nouveau
Medium: Architecture, iron, glass, stone
Dimensions: Four-story townhouse
Visual Elements & Techniques
The building features whiplash curves in its iron railings and structural elements.
Natural light floods the central stairwell through stained glass, while plant-inspired motifs create continuous rhythm throughout.
Symbolism & Interpretation
The design represents the unity of structure and decoration, with each element flowing organically into the next. It symbolizes the bourgeois ideal of refined, artistic living in an industrialized world.
Historical Context
Built for Professor Émile Tassel during Belgium’s industrial prosperity, it represented a new approach to urban living that rejected historical styles in favor of modern materials and aesthetics.
Art Movement Characteristics in the Work
As the first true Art Nouveau building, it established the movement’s signature integration of structure with ornament, use of industrial materials for artistic effect, and flowing composition.
Alphonse Mucha’s “The Seasons” (1896)
Artist: Alphonse Mucha
Art Movement: Art Nouveau
Medium: Color lithograph
Dimensions: Each panel approximately 103 × 54 cm
Visual Elements & Techniques
The four panels use flowing lines to frame female figures representing the seasons.
Pastel color contrast with bold outlines creates a distinctive decorative style, while plant motifs relate to each season.
Symbolism & Interpretation
Each panel symbolizes the cycle of life and nature’s rhythms. The women embody the spirit of each season, suggesting humanity’s connection to natural cycles and the passage of time.
Historical Context
Created during the height of the poster art boom in Paris, these works helped establish commercial illustration as a legitimate art form and reflected the growing consumer culture.
Art Movement Characteristics in the Work
These lithographs exemplify Art Nouveau’s decorative approach to commercial art, featuring stylized natural forms, sinuous lines, and the iconic “Mucha woman” with flowing hair that became synonymous with the movement.
Sagrada Família (1883-present)
Artist: Antoni Gaudí (and successors)
Art Movement: Art Nouveau/Modernisme
Medium: Architecture, stone, concrete, glass
Dimensions: 172m height (when completed)
Visual Elements & Techniques
The basilica combines naturalistic forms with geometric structures, featuring hyperboloid columns that branch like trees.
Its intricate facades display sculptural elements with mathematical precision and organic variety.
Symbolism & Interpretation
The building represents a complete biblical narrative in stone, with each facade depicting a chapter of Christ’s life.
The forest-like interior symbolizes sacred nature as God’s creation.
Historical Context
Begun during Catalonia’s cultural and economic revival, the ongoing construction spans multiple eras of Spanish history, including civil war and dictatorship, becoming a symbol of endurance.
Art Movement Characteristics in the Work
While firmly rooted in Art Nouveau’s organic aesthetic, the Sagrada Família transcends the movement through Gaudí’s unique synthesis of gothic traditions, symbolism, and innovative structural solutions.
Glasgow School of Art (1897-1909)
Artist: Charles Rennie Mackintosh
Art Movement: Art Nouveau/Glasgow Style
Medium: Architecture, wood, metal, glass
Dimensions: Four-story building (main facade 45m length)
Visual Elements & Techniques
The building features restrained geometric forms balanced with organic decorative elements.
Its innovative use of space and light creates dramatic interior effects, while Japanese-inspired details add delicate emphasis to key areas.
Symbolism & Interpretation
The design represents the marriage of artistic creativity with functionality.
Its blend of traditional Scottish elements with modern forms symbolizes cultural heritage evolving into contemporary expression.
Historical Context
Built during Scotland’s industrial prominence when Glasgow sought cultural recognition.
The school embodied the city’s ambition to compete with European art centers while maintaining a distinct identity.
Art Movement Characteristics in the Work
The building displays Art Nouveau’s concern with total design while showing the more geometric, restrained variation found in the Glasgow Style, anticipating later modernism.
René Lalique Jewelry (1890s-1910s)
Artist: René Lalique
Art Movement: Art Nouveau
Medium: Gold, enamel, glass, precious stones
Dimensions: Various (typically wearable jewelry pieces)
Visual Elements & Techniques
Lalique’s jewelry combines precious metals with non-traditional materials like horn and glass.
Translucent enameling creates subtle color wheel effects, while creatures and female forms are rendered with fluid, asymmetrical designs.
Symbolism & Interpretation
His pieces often depict mythological women, insects, and flora, symbolizing feminine power and nature’s beauty.
They represent the period’s fascination with mystical femininity and transformation.
Historical Context
Created for the Parisian elite during the Belle Époque, these works rejected conventional jewelry standards and elevated wearable art to museum quality during a time of shifting gender roles.
Art Movement Characteristics in the Work
The jewelry exemplifies Art Nouveau’s rejection of mass production in favor of handcrafted uniqueness, its fascination with natural forms, and the movement’s embrace of sensuality and symbolic imagery.
Emile Gallé Glasswork (1890s-1904)
Artist: Emile Gallé
Art Movement: Art Nouveau/École de Nancy
Medium: Glass, multiple layered colors
Dimensions: Various (typically 20-50 cm height)
Visual Elements & Techniques
Gallé’s glass pieces feature multiple layers of colored glass carved to reveal different hues, creating depth through the cameo technique.
Organic forms and nature motifs are rendered with exceptional detail and complementary colors.
Symbolism & Interpretation
Many pieces incorporate symbolic flora and fauna representing hidden meanings or poetry.
They embody the period’s interest in nature as metaphor and the spiritual dimensions of the natural world.
Historical Context
Produced during France’s recovery from the Franco-Prussian War, Gallé’s works often contained patriotic references to his native Lorraine region and reflected scientific discoveries about plant structures.
Art Movement Characteristics in the Work
The glassworks exemplify Art Nouveau’s marriage of fine art with craft, its interest in botanical accuracy, and the movement’s goal of elevating decorative arts to the status of painting and sculpture.
Villa Majorelle (1901-1902)
Artist: Henri Sauvage
Art Movement: Art Nouveau/École de Nancy
Medium: Architecture, stone, wood, glass, metal
Dimensions: Three-story residence
Visual Elements & Techniques
The villa features asymmetrical facades with flowing lines and naturalistic decorative elements.
Its unity comes from integrated stained glass, ceramic tiles, and wooden elements that create a coherent artistic vision.
Symbolism & Interpretation
This building represents the ideal of the “total artwork” where every detail serves both functional and aesthetic purposes.
It symbolizes the successful industrialist’s embrace of art in everyday life.
Historical Context
Built for furniture designer Louis Majorelle during Nancy’s industrial prosperity, it embodied the local movement’s belief in artistic collaboration and craftsmanship as industrial arts flourished.
Art Movement Characteristics in the Work
The villa exemplifies Art Nouveau’s goal of breaking down barriers between fine and applied arts, with its integration of painting styles and crafts to create unified artistic environments.
Secession Building (1897-1898)
Artist: Joseph Maria Olbrich
Art Movement: Vienna Secession
Medium: Architecture, metal, glass
Dimensions: 30 × 45 m
Visual Elements & Techniques
The white cube-like structure is crowned with a distinctive golden dome of laurel leaves. Repetition of square forms and grid patterns creates visual structure while maintaining decorative qualities.
Symbolism & Interpretation
The building embodies the Secession’s motto “To every age its art, to art its freedom.” The golden dome symbolizes new artistic beginnings, while the white walls represent breaking from historical styles.
Historical Context
Built as the exhibition hall for the Vienna Secession group at a time when artists were challenging the conservative Austrian art establishment and forging independent paths.
Art Movement Characteristics in the Work
The building shows Art Nouveau’s evolution toward greater geometric order while retaining decorative elements, bridging traditional ornamentation and the emerging minimalism of early modern architecture.
Park Güell (1900-1914)
Artist: Antoni Gaudí
Art Movement: Art Nouveau/Modernisme
Medium: Architecture, mosaic, stone
Dimensions: 17.18 hectares
Visual Elements & Techniques
The park features undulating benches covered in colorful broken ceramic pieces using the trencadís technique.
Organic columns support walkways that blend with the hillside using scale to create visual interest.
Symbolism & Interpretation
The design represents harmony between architecture and nature, with structures that both contrast with and complement the landscape.
It symbolizes the Catalan cultural renaissance’s embrace of natural forms.
Historical Context
Originally planned as a housing development during Barcelona’s expansion, it reflected the Catalan bourgeoisie’s desire for aesthetically unified communities inspired by English garden city concepts.
Art Movement Characteristics in the Work
The park demonstrates Art Nouveau’s rejection of historical styles in favor of nature-inspired innovation and shows Gaudí’s personal evolution beyond standard Art Nouveau toward more expressionistic forms.
Palais Stoclet (1905-1911)
Artist: Josef Hoffmann
Art Movement: Vienna Secession/Art Nouveau
Medium: Architecture, marble, bronze, mosaic
Dimensions: Three-story mansion
Visual Elements & Techniques
The building features a geometric exterior with bronze accents and straight lines that show movement toward cubism.
Interior spaces include Gustav Klimt’s mosaic friezes that provide organic contrast to the rectilinear architecture.
Symbolism & Interpretation
The palace represents wealth’s transformation into aesthetic refinement. Its design symbolizes the unification of all arts—architecture, painting, sculpture, and decorative arts—into a coherent vision.
Historical Context
Commissioned by wealthy industrialist Adolphe Stoclet during Brussels’ economic boom, it exemplified how the European elite embraced artistic innovation as a symbol of cultural sophistication.
Art Movement Characteristics in the Work
The building shows the late phase of Art Nouveau as it evolved toward more geometric forms, combining Vienna Secession’s elegant restraint with the movement’s commitment to artistic totality.
Municipal House (1905-1912)
Artist: Antonín Balšánek and Osvald Polívka
Art Movement: Art Nouveau
Medium: Architecture, mosaic, sculpture, glass
Dimensions: Six-story building
Visual Elements & Techniques
The building combines monochromatic color schemes with bursts of decoration around entrances and windows.
Interior spaces feature murals by Alphonse Mucha and other Czech artists, creating a national artistic statement.
Symbolism & Interpretation
The elaborate decorative program showcases Czech history, mythology, and cultural identity.
It symbolizes national revival and artistic independence during a period of Austro-Hungarian dominance.
Historical Context
Built during the final years of Habsburg rule when Czech nationalism was intensifying. The building later served as the site where Czechoslovak independence was proclaimed in 1918.
Art Movement Characteristics in the Work
The structure demonstrates Art Nouveau’s regional variations, with Slavic motifs and folk art influences integrated into the international style, showing the movement’s adaptability to national contexts.
Otto Wagner’s Postal Savings Bank (1904-1906)
Artist: Otto Wagner
Art Movement: Vienna Secession/Art Nouveau
Medium: Architecture, aluminum, glass, marble
Dimensions: Five-story building (44m height)
Visual Elements & Techniques
The building features aluminum rivets on its marble facade, creating a visual rhythm that emphasizes construction methods.
Large glass and iron skylights illuminate interior banking halls with natural light.
Symbolism & Interpretation
The design symbolizes the transition from historicism to modernism, with decoration derived from function rather than applied ornament.
It represents the new banking age’s values of efficiency and transparency.
Historical Context
Created during Vienna’s modernization as the Austro-Hungarian Empire struggled with industrial transformation.
The building embodied progressive banking reforms aimed at middle and working classes.
Art Movement Characteristics in the Work
The bank shows Art Nouveau’s rationalist tendency, focusing on honest expression of materials and function while maintaining aesthetic refinement, pointing toward the movement’s evolution into early modern architecture.
Louis Majorelle Furniture (1890s-1910s)
Artist: Louis Majorelle
Art Movement: Art Nouveau/École de Nancy
Medium: Wood (primarily mahogany), bronze inlays, marquetry
Dimensions: Various (functional furniture pieces)
Visual Elements & Techniques
Majorelle’s furniture features fluid, plant-inspired forms with inlaid floral motifs and bronze mountings that serve both decorative and functional purposes. The watercolor painting technique influences his marquetry patterns.
Symbolism & Interpretation
His work represents the integration of nature with domestic life. Each piece embodies the Art Nouveau ideal of bringing artistic refinement into everyday environments through functional objects.
Historical Context
Created during France’s industrial expansion when machine production was replacing handcrafts. Majorelle’s workshop balanced innovative production methods with traditional craftsmanship to create affordable artistic furniture.
Art Movement Characteristics in the Work
The furniture exemplifies Art Nouveau’s desire to elevate decorative arts, its fascination with natural forms, and its goal of aesthetically uniting everyday objects with their surroundings.
Daum Nancy Glassware (1890s-1910s)
Artist: Daum Brothers workshop
Art Movement: Art Nouveau/École de Nancy
Medium: Glass, acid-etched, enameled, wheel-carved
Dimensions: Various (decorative vessels)
Visual Elements & Techniques
These glass pieces showcase nature-inspired scenes created through multiple techniques including layering colored glass, acid-etching, and wheel-cutting. Analogous color schemes create subtle transitions that mimic natural lighting effects.
Symbolism & Interpretation
Many pieces depict landscapes or flora in atmospheric settings, symbolizing the passage of seasons or times of day.
They represent the period’s romantic view of nature as a source of spiritual renewal.
Historical Context
Produced during the height of French Art Nouveau when the Nancy region became a center for glass innovation following the Franco-Prussian War, helping to revitalize French decorative arts.
Art Movement Characteristics in the Work
The glassware demonstrates Art Nouveau’s scientific interest in natural forms, its technical innovation, and the movement’s elevation of industrial arts through artistic treatment of functional objects.
Casa Milà/La Pedrera (1906-1912)
Artist: Antoni Gaudí
Art Movement: Art Nouveau/Modernisme
Medium: Architecture, stone, iron, ceramic
Dimensions: Six-story apartment building
Visual Elements & Techniques
The building features an undulating stone facade resembling a quarry face with wrought iron balconies evoking seaweed.
Interior courtyards provide natural light while the roof creates a sculptural landscape with chimneys like abstract sentinels.
Symbolism & Interpretation
The structure represents the organic nature of human habitation, suggesting a living entity rather than a static building. It symbolizes the harmony between functional needs and artistic expression.
Historical Context
Built as Barcelona expanded its urban grid, this apartment building challenged conventional housing with its revolutionary approach to multifamily living spaces during Catalonia’s industrial prosperity.
Art Movement Characteristics in the Work
La Pedrera exemplifies late Art Nouveau’s experimentation with structural innovation, showing how the movement evolved toward expressionism while maintaining its commitment to organic forms and craftsmanship.
Maison de l’Art Nouveau (1895)
Artist: Siegfried Bing (proprietor)
Art Movement: Art Nouveau
Medium: Architecture, interior design, decorative arts
Dimensions: Three-story gallery building
Visual Elements & Techniques
The gallery featured distinctive interior spaces designed by Henri Matisse and others, with custom furniture, textiles, and objects creating complete artistic environments that showcased the new style’s potential.
Symbolism & Interpretation
The establishment represented the commercialization and popularization of the new aesthetic.
It symbolized the intersection of art, commerce, and daily life that defined the movement’s ambitions.
Historical Context
Opened when Paris was the center of global art markets, the gallery helped introduce Japanese aesthetics to Western audiences while promoting French designers during a period of intense artistic innovation.
Art Movement Characteristics in the Work
This gallery, which gave Art Nouveau its name, embodied the movement’s commercial appeal and international character, showcasing how art could be integrated into middle-class interiors through color psychology and innovative design.
FAQ on Art Nouveau Examples
What defines Art Nouveau style in architecture?
Art Nouveau architecture features organic forms, flowing lines, and whiplash curves inspired by nature.
Buildings like Casa Batlló showcase asymmetrical patterns, curvilinear design, and integration of decorative arts with structure.
The style rejected historical precedents, instead using modern materials like iron and glass while incorporating botanical elements and sinuous shapes for a unified artistic vision.
Who were the most influential Art Nouveau artists?
Key figures include Antoni Gaudí (Modernisme architecture), Alphonse Mucha (poster art and graphic design), Victor Horta (Belgian architecture), Gustav Klimt (Vienna Secession paintings), Hector Guimard (Parisian architectural elements), Louis Comfort Tiffany (stained glass and decorative arts), and René Lalique (jewelry design).
Each contributed to the movement’s development during the Belle Époque with their distinctive applied arts approaches.
How did Japanese art influence Art Nouveau?
Japanese woodblock prints introduced European designers to asymmetrical composition, flat decorative patterns, and nature-inspired motifs.
This “Japonisme” greatly influenced Art Nouveau’s emphasis on flowing lines, stylized flowers, and negative space.
The movement adopted Japanese art’s integration of nature and its approach to craftsmanship, helping break Western art from classical traditions.
What materials were commonly used in Art Nouveau decorative arts?
Art Nouveau embraced diverse materials including colored glass, wrought iron, bronze, ceramic tiles, and wood.
Artists like Emile Gallé pioneered new glassworking techniques while Louis Majorelle crafted furniture with natural symbolism.
The movement valued handcrafted objects with ornamental ironwork, often combining precious metals with non-traditional materials to create domestic design pieces with organic architecture elements.
How does Art Nouveau differ from Art Deco?
Art Nouveau (1890-1910) features organic, flowing lines inspired by natural forms with asymmetrical patterns and whiplash curves.
Art Deco (1920s-30s) embraces geometric shapes, bold colors, symmetry, and industrial materials.
Where Art Nouveau celebrated handcraft and sinuous shapes, Art Deco embraced mechanization and stylized, streamlined forms reflecting Jazz Age modernity rather than botanical elements.
What are some notable Art Nouveau buildings still standing today?
Surviving masterpieces include Gaudí’s Sagrada Família and Casa Milà in Barcelona, Victor Horta’s Hotel Tassel in Brussels, Guimard’s Paris Metro entrances, Otto Wagner’s Postal Savings Bank in Vienna, the Municipal House in Prague, and Mackintosh’s Glasgow School of Art.
These structures demonstrate the movement’s architectural innovation while showcasing regional variations of the international style across European design centers.
How did Art Nouveau influence modern graphic design?
Art Nouveau revolutionized graphic design through stylized figures, decorative borders, and organic linework in commercial illustration.
Alphonse Mucha’s theatrical posters established visual vocabulary still referenced today.
The movement’s approach to integrating text with imagery, its distinctive typography with flowing forms, and its use of asymmetrical balance created principles that continue to influence modern design aesthetics.
What themes and symbols appear most frequently in Art Nouveau works?
Common motifs include stylized flowers (especially lilies, irises, and orchids), sinuous vines, dragonflies, peacock feathers, and feminine silhouettes with flowing hair.
These elements symbolized vitality, transformation, and the forces of nature.
The movement embraced symbolic imagery that often featured elongated figures and botanical elements arranged in curvilinear design patterns with natural symbolism reflecting the era’s spiritual interests.
How did Art Nouveau vary across different European countries?
The movement developed distinctive regional variants: Modernisme in Catalonia emphasized structural innovation; Belgium’s style featured whiplash lines in architecture; the Vienna Secession adopted more geometric approaches; France’s Nancy School focused on natural forms in decorative arts; Scotland’s Glasgow Style used more restrained patterns. Each region adapted the international style to reflect local traditions while maintaining the movement’s core principles.
Why did Art Nouveau decline, and what replaced it?
Art Nouveau declined around 1910 as its elaborate ornamentation became expensive and time-consuming during rapid industrialization.
The movement’s craftsmanship clashed with mass production needs, and changing tastes favored the geometric simplicity of emerging modernism.
World War I’s sobering influence further accelerated Art Nouveau’s replacement by Art Deco and the Bauhaus movement, which embraced industrial materials and functional design over decorative flourishes.
Conclusion
The diverse art nouveau examples we’ve explored reveal a movement that transformed the visual landscape of Europe at the turn of the century.
From Gaudí’s undulating facades to Tiffany’s luminous stained glass, these works share a unified vision despite their varied mediums.
Each creation embraces the movement’s dedication to flowing lines, nature-inspired motifs, and rejection of historical imitation.
What makes these examples particularly valuable is their demonstration of how Art Nouveau integrated unity with variety across different creative disciplines.
The movement’s impact extended beyond aesthetics, representing a philosophical shift toward:
- Unifying fine and applied arts into a total artistic environment
- Elevating everyday objects through handcrafted ornamental ironwork
- Bringing nature’s organic forms into industrialized urban settings
- Breaking from academic traditions while creating a new modern style
Though brief, lasting just two decades, Art Nouveau’s legacy continues in contemporary design that values Jugendstil’s integration of beauty with functionality and Modernisme’s structural innovation.
